Showing posts with label Super-Hero Movies. Show all posts
Showing posts with label Super-Hero Movies. Show all posts

Monday, July 8, 2013

Man of Steel Weekend #4

Okay - so how'd MoS hold up?

Well it stayed in the top 10 through the weekend, landing at #7, putting an additional 11.4 million Domestic dollars in the bank.

Worldwide, MoS has made $586.6 million to date, and it's a whole new ballgame.

Because as of this past weekend MoS passed 1989's Batman and has become the third top grossing film of a DC character in history.

It's still $177 million away from TDKR, but Nolan's gotta be proud of himself...

Friday, May 10, 2013

Well - it's Weekend #2 for Iron Man 3...

...and by now, everyone knows about the film.

The ups,
and the downs.
Keep in mind, Ang Lee's Hulk made over $62 million opening weekend - only to drop like a rock on Weekend #2...making just (yeah, "just") $18.8 million.

Iron Man 3 made over $174 million last weekend ($204.8 to date courtesy of Box Office Mojo).

I don't expect it to stay #1 by Monday morning, but will it take the #2 or 3 spot?

More importantly, does it need to? Because unlike Hulk, which didn't break even, IM3 did...in one week (not counting Foreign theater grosses). So even if Weekend #2 sales fall below expectations, the film more than made its money back.

We shall see...

Thursday, November 29, 2012

Dear DC Comics, For Your Consideration...

...may I offer an alternative to your Justice League movie concept.

We all know that you're in desperate need for a cinematic franchise. One that can start an avalanche of - well - multiple franchises following single characters introduced in the planned Justice League film.

Sort of the opposite way Marvel Studios took, and that's okay.

But there are problems...

Batman's already been a franchise...twice.

Superman's been re-introduced once so far, and another attempt is coming with Man of Steel in 2013.

We're not even going to discuss Wonder Woman and Green Lantern.

But you've had some success on television with Smallville and now Arrow, where you've got sort of a "grass roots" approach to major characters as they develop their abilities in their respective hometowns while throwing in significant cameos to appease the fans. It works.

So let's recap...

What you need is a single film that will open up franchise potential for many characters, while introducing viewers to a brand new DC movie universe, yet manages to avoid the "been there, done that" trappings of your Big Three.

Let. Me. Think.
What a great way to get movie goers new and old (re)interested in an expanding DC movie universe.

Let's go over the selling points:
* There's no need to feature Superman, Batman of Wonder Woman at all, while still being able to mention and/or reference them.
* You'll be able to present "brand new to the screen" DC characters.
* It would allow you to establish the world in which future movies would exist...movies that include the Big Three (or Four if you count GL).
* Oh yeah - it would allow you to introduce the multiverse concept, which would include every single f**king film you've made going back to Superman: The Movie...including Steel.

Now, this series was a major project that lasted an entire year, and had a lot going on. I'm not suggesting you squeeze the entire scope into one two-and-a-half hour film.

I'm saying pick one or two stories, like Elongated Man and Booster Gold's, and use those.

Maybe start with the Question and the Religion of Crime, have a few spin-off films, and then regroup people for 52 The Sequel, where you get into the Lady Styx story.

My point - there's a lot of story there to use, and a lot of characters as well.

I know what you're thinking: "But what about all the stuff that happened before 52, like Elongated Man's wife and Blue Beetle's death?"

Well DC - That's what prequels are for.

So that's my idea. Hope you've paid attention and take it to heart. Because while Marvel Studios is currently kicking your a$$es at the box office...and despite my entire childhood spent as a Marvel Zombie...I'd love to add some excellent DC Comics film franchises to my growing Blu-ray bookshelf.

Friday, May 25, 2012

So…The Avengers is a “hit”…What’s DC gonna do about it?



I was on the fence for a while about posting this. My panic stemmed from the thought of someone at DC reading this, taking my advice and beating the pants off of any future Marvel Studios movies.

Then I realized - this isn’t about which company’s films make the most money…

It isn’t about which films are “better” or more successful…

This is about The Avengers proving once and for all that the Super-Hero genre of film is here to stay and will continue to be tapped for the rest of time…like Sci-Fi, Western, Horror, Rom-Com, etc…

So here is the open letter I wrote over a week ago and stressed about…until now.

Dear DC.,

I’m a Marvel Zombie from the eighties. I knew the universe inside-out, upside-down and sideways. Your stuff…not so much.

But I’m a fan of your characters and some of your films, but even more so – I’m a fan of the genre. Any successful film that can be added to the “comic-book movie” roster is a boon for us all (i.e. Sin City, and Hellboy)

So while I expect the awesomeness that is the “Marvel Cinematic Universe” to continue expanding for the next five or six millennia, I offer you some helpful hints to get your “stuff” together, your heads in the game and your DCMU on the screen…

1) Forget the Summer Blockbuster

Just look at Marvel’s schedule. They’ve got releases set for FCBD weekends and summers overall for the next 3 years. Don’t even try to fight it. Let it go and focus on the other high-volume movie season of the year – Christmas.

Remember - Superman: The Movie came out near Christmas, 1978. True, Thor 2 is slated to come out next November, but then Marvel would be treading onto your turf. What other cinematic competition exists? Oscar-nomination hopefuls? There’s nothing wrong with mixing a little Super-Heroic action in amongst sappy dramas.

‘Tis the season. Own It.

2) Forget about the real world

In your comics, you have Gotham and Chicago, Metropolis and New York.

Stop it.

Don’t do it in your movies. Marvel’s all over the real world. Embrace your fictional Earth so you can begin building your fictional universe. Let Bruce Wayne train in Nanda Parbat. Have a young Dick Grayson meet Boston Brand at a circus in Central City. Make Tim Drake attend a “Detective’s Convention” seminar by Ralph Dibny in Metropolis.

3) Convince Warner Bros. to get off the pot

Warner had the potential to be the predecessor to Marvel Studios by decades. Marvel knew it, you guys knew it, your fans knew it…

…but they’ve dropped the ball too many times.

Green Lantern was their shot. They had their marketing machine behind it…their full support…their influence. In short, they had too many of their fingers in the pie. Don’t forget, Warner wasn’t even supportive of Superman: The Movie....at first.

Take matters into your own hands. Get whatever you need to make it happen and start from scratch on your own terms.

4) Start small

Whatever you do, don’t start with your big three. Build up to them. I’ve been itching for a World’s Finest type film for twenty years. Other fans even longer. Guess what, we’ll wait some more - as long as we see some headway in that direction. Word is, you’re working on Flash and Lobo as possibilities. My opinion? Start with Flash…he’s been known to kick-start an Age or two.

5) Verisimilitude

It’s what made Superman: The Movie work - full and complete belief.

Nolan proved it again with his Batman Begins trilogy (which is awesome by the way), but I’m sure he cut a deal stipulating that there would be no “outside influence” in his films. No Metropolis, no Coast City, no Apokolips – nothing of your ‘verse beyond Batman. Which is okay, but does nothing to help establish your overall presence in cinema.

Healthy competition is one of the things that has built the medium of comics to its present level, and has been a driving force between you and Marvel. Only now it has sprawled over to another powerful form of entertainment. The bar has been raised.

Step up!


Monday, April 2, 2012

Flash…the Movie


Okay, there’s word that DC/WB are getting their shit together and working on making Flash their next big movie.

On the surface, this is scary news. But upon further examination, this makes perfect sense. Here’s why:

1) The Big Three have had more than their fair share of chances at the big screen. The only reason Wonder Woman was never made is because nobody involved had the cajones to take that risk. Everyone thought it would never work. (People said the same thing about Thor, but we’ll let that slide…) My point is that if DC ever wants to make it out of the gate, they must look beyond their holy trinity. This brings me to…

2) Green Lantern was a decent attempt; it was the execution that failed. There was too much stuff and not enough direction so the film wound up all over the place. The people behind Flash would learn from GL’s mistakes and work towards a cleaner, crisper script with better pacing and ease the heavier stuff in through sequels.

3) Lest we forget…Superman, Batman and Wonder Woman may have come first, but it was Flash that brought forth the Silver Age of comics…single-handedly I might add. Thanks to Showcase #4, we got Earths -1, -2, -3,-4, -5 (etc…). So it makes perfect sense that a Flash movie could put DC/WB back on the cinematic landscape.

So what they need now…is a script…

(Now keep in mind, all I truly know of Flash comes from the various cartoons and television episodes I’ve watched, and the occasional comic book I’ve read - which can help since one of the points of a project like this is to (re)introduce the character to a large(r) audience so here goes…)

First, break down the story into three acts (what I call the Mank method) and in simplest terms they are: 1) Flash gets his powers, 2) Flash learns about his powers, 3) Flash uses his powers.

That’s it. How the story develops from there is entirely due to which version of the Flash you go with.

There’s always talk about “the love interest”, “the setting” and “the villain(s)” in films like this, and things can get very confusing and sloppy very fast *Spider-Man 3* but again they are completely dependent upon which Flash is used.

So in the end, everything rides on which f**king version of The Flash is used!!!

Thus the debate begins…

I’d LOVE to see Wally, because he’s my favorite, but truthfully…it should be Barry because his story would make the best movie.

As a police scientist, he’d have the easiest means to study the effects of his powers, how they work, and the physics behind them. It would also explain his continual vanishing acts (because really – how much attention are given to those guys in all of those forensics television shows?)

He’s also got a potential girlfriend in Iris. Will they get together/married or won’t they? One of the big problems I had with Fantastic Four 2 was that it started with Sue and Reed’s wedding right away…little too rushed for me. It would be better if Barry and Iris’ courtship ran through both the first and (potentially) second films, and their wedding take place in the third. In fact, having Iris learn Barry’s secret at the end of movie #2 would be a great cliffhanger.

Then there’s “the threat”. What happens in the third act of film #1 to make Flash don his newly developed suit and make his grand entrance? (By the way…the Flash ring doesn’t appear until film #2.) Gorilla Grodd is too “out there” for the average moviegoer. It may have worked if it wasn’t for that Planet of the Apes remake. Captain Cold? Trickster? They’d be seen as the “Batman villain knock-offs” they are. Captain Boomerang? Yeah – there’s a reason why Hawkeye is being introduced in The Avengers and not in his own film. Weather Wizard is a possibility, but I’ll come back to him in a minute. Of all the Flash villains (that I know of) there are two frontrunners: Mirror Master and Professor Zoom.

Mirror Master would work because there are a lot of visuals that could be used with his powers. Mirror imaging, reflection and all that. There’s also the scientific angle between him and Barry (get it?...reflection?...scientific angle?...hello?)

Professor Zoom would also work because there would be similar visual effects for both him and Flash. The story here would be about how two people with basically the same powers use them in completely different ways. The point being - it’s the man that makes the hero, not the powers.

As for Weather Wizard, he would be more “behind the scenes” like Mandarin has been in the Iron Man films. In the first movie, Flash would use his powers to save “the city” (Central, not Keystone) from a natural disaster – a freak storm or earthquake or volcano – that has never happened there before. The point here is that Flash would have to be everywhere at once, saving lots of people (including Iris) from various crises (get it?). Which he does, and that puts him in the public eye. It’s only at the very end of the film that viewers learn the Weather Wizard was behind the disaster, and we learn about him in film #2.

In film #3, Iris (who by now knows Barry’s secret and may or may not have told him she knows) gets a visit from her nephew Wally. He stays with his aunt and her live-in fiancĂ©e and attends their wedding. Then “something happens”, Barry disappears, and Wally winds up in an accident identical to Barry’s in film #1 and gets similar powers. This sets up film #4, in which Iris…now a widow…helps train Wally as the “New” Flash.

Now, these are just rough ideas that I’m jotting down on the fly. I have no experience with movie writing and very little knowledge of the DC universe and Flash. My point is that a Flash movie could be done, and more importantly could be done well if the right minds are behind it and enough care and attention are brought to the table.

So we’ll see. I’m all for a thriving DC/WB movie universe, that way they can keep Marvel Studios on their toes, who in turn raise the bar for DC/WB to meet. In the end, we all get the fantastic super-hero movie franchises we’ve been craving forever for.

Verisimilitude and “Nuff Said!